About Us
Dacca Jewellers is one of the oldest business families in India with decades of family legacy in business, starting from as early as 1970, continued by Mr. Udayanal Bhowmick. We believe in ethical, honest and transparent business practices that should form the foundation of the Company.

Sri Udayanal Bhowmick (Owner)
– Dacca Jewellers
Dacca Jewellers about : Having ventured into jewellery retailing in 1970 in Raiganj, West Bengal, where we are headquartered, and as of now, we have 4 showrooms spread across Raiganj, Chanchal and Dalkhola.
Indian jewellery, its craftsmanship and variety is an amazing showcase of India’s heritage, culture and diversity. With a deep understanding of local tastes and preferences, Dacca Jewellers offers an array of traditional and contemporary jewellery designs in gold, diamonds and silver.
We at Dacca Jewellers have always believed that the customer needs to be educated and aware, as this is the first step in preventing malpractices in business. As a part of this philosophy we have conducted several campaigns over the years, to educate customers about purity, pricing and other aspects. These efforts of Dacca Jewellers have gone a long way in the industry, that is now becoming more transparent towards the customer’s interests. We believe that this is our legacy to the industry.
Inspired by the trust we have earned across varied markets, we will soon be expanding into new markets across North Bengal, India.

THE KARIGARI
Once you have finalized the design and chosen your jewellery, we at Dacca Jewellers will start crafting the design, taking you along the journey, keeping you updated throughout the process. Our Karigars will mindfully craft your dream jewellery that will be an extension of you.
CONSULT DESIGNER
The first step to telling your story is consulting our designer. Together we work towards giving shape to your dream jewelry. Whatever concept you have in your mind; the designers od Dacca Jewellers will sketch out possible ideas with the exact specifications given by you.


DIAMOND SELECTION
If you wish to add diamonds or any other precious gem to your unique piece, our team will guide you with a selection of stones that will fit your criteria and complement your tailor-made jewellery perfectly. Whether it is diamond or any other gems stone, all jewellery of Dacca Jewellers come with a certificate to guarantee their authenticity.
A HISTORY OF JEWELLERY
Arts & crafts jewellery Developing in the last years of the 19th century, the Arts and Crafts movement was based on a profound unease with the industrialised world. .
Its jewellers rejected the machine-led factory system - by now the source of most affordable pieces - and instead focused on hand-crafting individual jewels. This process, they believed, would improve the soul of the workman as well as the end design.
Arts and Crafts jewellers avoided large, faceted stones, relying instead on the natural beauty of cabochon (shaped and polished) gems. They replaced the repetition and regularity of mainstream settings with curving or figurative designs, often with a symbolic meaning.
The designer of this brooch, C. R. Ashbee, was a man of immense talents and energy and a defining figure in the Arts and Crafts Movement. In 1888 he founded the Guild of Handicraft in the East End of London with the intention of reviving traditional craft skills and providing satisfying employment in a deprived area of the city. Trained originally as an architect, he is known also for his highly innovative furniture, metalwork, silver and jewellery designs.
The peacock was one of Ashbee's favourite and most distinctive motifs and he is known to have designed about a dozen peacock jewels in the years around 1900. Family tradition is that this brooch was designed for his wife, Janet. It was made by Ashbee's Guild of Handicraft Ltd. at Essex House on the Mile End Road, London
Art Nouveau jewellery of 1890s The Art Nouveau style caused a dramatic shift in jewellery design, reaching a peak around 1900 when it triumphed at the Paris International Exhibition.
Its followers created sinuous, organic pieces whose undercurrents of eroticism and death were a world away from the floral motifs of earlier generations. Art Nouveau jewellers like René Lalique also distanced themselves from conventional precious stones and put greater emphasis on the subtle effects of materials such as glass, horn and enamel.
However, the style's radical look was not for everyone or for every occasion. Superb diamond jewellery was made in the 'garland style', a highly creative re-interpretation of 18th- and early 19th-century designs.
The maker of this orchid hair ornament, Philippe Wolfers, was the most prestigious of the Art Nouveau jewellers working in Brussels. Like his Parisian contemporary René Lalique, he was greatly influenced by the natural world. These exotic orchids feature in the work of both. The technical achievement of enamelling in plique-a-jour (backless) enamel on these undulating surfaces is extraordinary.
Art Deco jewellery to the 1950s Although buffeted by cycles of boom, depression and war, jewellery design between the 1920s and 1950s continued to be both innovative and glamorous.
Sharp, geometric patterns celebrated the machine age, while exotic creations inspired by the Near and Far East hinted that jewellery fashions were truly international. New York now rivalled Paris as a centre for fashion, and European jewellery houses could expect to sell to, as well as buy from, the Indian subcontinent.
Dense concentrations of gemstones are characteristic of Art Deco jewellery. From about 1933 gold returned to fashion, partly because it was cheaper than platinum.
Artists and designers from other fields also became involved in jewellery design. Their work foreshadows the new directions jewellery would take.
This brooch commemorates the breaking of the World Land Speed Record by Captain George Eyston in 1937. The car depicted is Thunderbolt, which Captain Eyston designed, built and drove. It was powered by two aero engines made by the firm of Rolls-Royce, which presented the brooch to Captain Eyston’s wife.
Contemporary jewellery Since the 1960s the boundaries of jewellery have been continually redefined. Conventions have been challenged by successive generations of independent jewellers.
New technologies and non-precious materials, including plastics, paper and textiles, have overturned the notions of status traditionally implicit in jewellery.
Avant-garde artist-jewellers have explored the interaction of jewellery with the body, pushing the boundaries of scale and wearability to the limits. Jewellery has developed into wearable art. The debate on its relationship to Fine Art continues.